|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
UK
|
UK
|
|
US
|
US
|
|
|
|
|
|
|
TRACKS: |
|
|
SIDE
ONE: |
|
|
Maybe Someday (Heron) |
2'16" |
|
October Song (Williamson) |
2'56" |
|
When The Music Starts To
Play (Heron) |
2'39" |
|
Schaeffer's Jig (trad) |
0'59" |
|
Womankind (Williamson) |
3'43" |
|
The Tree (Heron)
|
2'46" |
|
Whistle Tune (Williamson) |
0'55" |
|
Dandelion Blues (Williamson) |
2'55" |
|
SIDE
TWO: |
|
|
How Happy I Am
(Heron) |
2'10" |
|
Empty Pocket Blues (Palmer) |
4'37" |
|
Smoke Shovelling Song
(Williamson) |
3'35" |
|
Can't Keep Me Here (Heron) |
2'11" |
|
Good As Gone
(Williamson) |
3'19" |
|
Footsteps Of The Heron
(Heron)
|
3'10" |
|
Niggertown (trad.
arr. Palmer) |
2'07" |
|
Everything's Fine Right Now
(Heron) |
2'15" |
|
|
Musicians |
|
Mike
Heron
|
Vocals,
Guitar
|
|
Robin
Williamson
|
Vocals,
Guitar, Violin, Fiddle, Whistle, Mandolin
|
|
Clive
Palmer
|
Vocals,
Banjo, Guitar, Kazoo
|
|
Recorded: |
1966
at Sound Techniques Studios, London |
|
Produced
by: |
Joe
Boyd
|
|
Sound
Engineer: |
John
Wood |
|
|
|
|
|
|
|
|
|
|
|
|
|
| UK
|
UK
|
|
US
|
US
|
|
|
|
|
|
|
|
|
|
|
Spain / promo
Serie Pioneros
|
|
|
|
Australia
back
|
|
|
|
|
|
| TRACKS: |
|
| SIDE
ONE: |
|
| Chinese White (Heron) |
3'35" |
| No Sleep Blues (Williamson) |
3'50" |
| Painting Box (Heron) |
4'00" |
| The Mad Hatter's Song
(Williamson) |
5'35" |
| Little Cloud (Heron) |
4'02" |
The Eyes Of Fate (Williamson)
|
4'57" |
| SIDE
TWO: |
|
| Blues For The Muse
(Williamson) |
2'43" |
| The Hedgehog's Song (Heron) |
3'25" |
| First Girl I Loved (Williamson) |
4'50" |
| You Know What You Could Be
(Heron) |
2'45" |
| My Name Is Death
(Williamson) |
2'42" |
Gently Tender (Heron)
|
4'42" |
| Way Back In The 1960's
(Williamson) |
3'07" |
|
|
Musicians |
|
Mike
Heron
|
Vocal,
Guitar
|
|
Robin
Williamson
|
Vocal,
Guitar, Flute, Oud Mandolin, Bowed Gimbri, Bass Gimbri, Drums, Rattles
|
|
with
|
|
|
Licorice
|
Vocal, Finger Cymbals
|
|
John Hopkins
|
Piano
|
|
Danny Thompson
|
Bass
|
|
Soma |
Sitar,
Tamboura |
|
Recorded: |
1967
at Sound Techniques Studios, London |
|
Produced
by: |
Joe
Boyd
|
|
Sound
Engineer: |
John
Wood |
|
|
|
|
|
|
|
|
|
|
|
|
|
| UK |
UK |
|
US |
US |
+
lyric sheet + booklet
|
|
|
|
|
|
|
|
|
|
| TRACKS: |
|
| SIDE
ONE: |
|
| Koeeaddi There (Williamson) |
4'41" |
| The Minotaur's Song (Williamson) |
3'18" |
| Witches Hat (Williamson) |
2'30" |
| A Very Cellular Song
(Heron) |
12'55" |
|
|
| SIDE
TWO: |
|
| Mercy I Cry City
(Heron) |
2'40" |
| Waltz Of The New Moon
(Williamson) |
5'01" |
| The Water Song
(Williamson) |
2'41" |
Three Is A Green Crown
(Williamson)
|
7'40" |
| Swift As The Wind (Heron) |
4'50" |
| Nightfall (Williamson) |
2'29" |
|
|
Musicians |
|
Mike
Heron
|
Vocals,
Guitar, Sitar, Hammond Organ, Harpsichord, Hammer Dulcimer
|
|
Robin
Williamson
|
Vocals,
Guitar, Violin, Fiddle, Whistle, Mandolin
|
|
assisted by:
|
|
|
Licorice
|
Vocal, Finger Cymbals
|
|
Dolly Collins
|
Flute Organ, Piano
|
|
David Snell
|
Harp
|
|
Richard Thompson
|
Vocals on "Minotaur's Song"
|
|
Recorded: |
1968
at Sound Techniques Studios, London |
|
Produced
by: |
Joe
Boyd for Witchseason Productions Ltd.
|
|
Sound
Engineer: |
Recorded
and mixed by John
Wood & Joe Boyd
|
|
|
|
|
Wee
Tam & The Big Huge
|
|
|
|
|
|
|
|
|
|
|
UK
|
|
|
|
|
|
|
|
|
|
|
Germany |
|
|
|
|
|
|
| TRACKS: |
|
| SIDE
ONE: |
|
| Job's Tears (Williamson) |
6'40" |
| Puppies (Heron) |
5'30" |
| Beyond The See (Heron) |
2'16" |
| The Yellow Snake (Williamson) |
2'04" |
Log Cabin Home In The Sky
(Heron)
|
4'00" |
| SIDE
TWO: |
|
| You Get Brighter
(Heron) |
5'44" |
| The Half-Remarkable Question
(Williamson) |
5'01" |
| Air (Heron) |
3'12" |
| Ducks On A Pond
(Williamson) |
9'17" |
| SIDE
THREE: |
|
Maya (Williamson)
|
9'24" |
| Greatest Friend
(Heron) |
3'30" |
| The Son Of Noah's Brother
(Williamson) |
0'16" |
| Lordly Nightshade (Williamson) |
5'54" |
| The Mountain Of God (Williamson) |
1'51" |
| SIDE FOUR: |
|
| Cousin Caterpillar (Heron) |
5'15" |
| The Iron Stone (Williamson) |
6'33" |
| Douglas Traherne Harding
(Heron) |
6'15" |
| The Circle Is Unbroken
(Williamson) |
4'47" |
|
|
Musicians |
|
Mike
Heron
|
Vocals,
Guitar, Sitar, Bass, Organ, Harpsichord, Percussion, Harmonica
|
|
Robin
Williamson
|
Vocals,
Guitar, Violin, Whistle, Flute, Mandolin, Irish Harp, Gimbri, Sarangi,
Bass, Organ, Piano, Kazoo, Harpsichord, Drums, Bass Drum, Percussion
|
|
with
|
|
|
Licorice
|
Vocals, Percussion,
Irish Harp
|
|
Rose
|
Vocals,
Percussion, Violin
|
|
Recorded: |
April,
June & July 1968
at Sound Techniques Studios, London |
|
Produced
by: |
Joe
Boyd for Witchseason Productions
|
|
Sound
Engineer: |
John
Wood |
|
|
|
|
|
|
|
|
Wee
Tam
|
|
The
Big Huge
|
|
|
|
|
|
|
|
|
|
|
| UK |
UK |
|
UK |
UK |
| US |
US |
|
US |
US |
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Australia
/ NZ
|
Australia
/ NZ |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
UK /
US / CAN / AUS gatefold, GER / F simple cover
|
|
|
|
|
|
|
New
Zealand
|
|
|
|
| TRACKS: |
|
|
|
| SIDE
ONE: |
|
| Big Ted (Williamson) |
4'21" |
| White Bird (Heron) |
14'46" |
| Dust Be Diamonds (tune:
Heron /
lyrics: Williamson) |
6'14" |
|
|
| SIDE
TWO: |
|
| Sleepers, Awake!
(Heron) |
3'44" |
| Mr. & Mrs. (Williamson) |
4'54" |
| Creation
(Williamson) |
16'04" |
|
|
Musicians |
|
Mike
Heron
|
Vocals,
Guitar, Electric Guitar, Sitar, Mandolin, Piano, Percussion
|
|
Robin
Williamson
|
Vocals,
Guitar, Electric Guitar, Sarangi, Chinese Banjo, Gimbri, Violin,
Flute, Piano, Organ, Percussion, Washboard
|
|
Rose
|
Vocals,
Bass, Percussion
|
|
Licorice
|
Vocals, Guitar,
Organ, Kazoo, Percussion
|
|
with:
|
|
|
Walter Gundy
|
Harmonica
|
|
Ivan Pawle
|
Organ, Piano
|
|
Recorded: |
1969
at Sound Techniques Studios, London |
|
Produced
by: |
Joe
Boyd for Witchseason Productions Ltd.
|
|
Sound
Engineer: |
John
Wood
|
|
Cover
Photo: |
Janet
Shankman
|
|
Inside Artwork
|
Robin (left) and Mike
(right) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| UK |
UK |
|
US |
US |
|
|
|
|
|
|
|
|
|
|
|
|
|
GER /
US
|
GER /
US
|
|
|
|
|
|
| TRACKS: |
|
|
|
| SIDE
ONE: |
|
| Black Jack Davy (Heron) |
3'59" |
| The Letter (Heron) |
3'08" |
| Pictures In A Mirror
(Williamson) |
10'43" |
|
|
| SIDE
TWO: |
|
| This Moment
(Heron) |
6'07" |
| When You Find Out Who You
Are (Williamson) |
10'58" |
| Fair As You (Heron) |
6'27" |
|
|
Musicians |
|
Mike
Heron
|
Vocals,
Guitar, Piano, Organ, Harpsichord
|
|
Robin
Williamson
|
Vocals,
Guitar, Violin, Gimbri, Flute, Percussion
|
|
Licorice |
Vocals,
Dulcimer, Drums
|
|
Rose
|
Vocals, Bass, Violin
|
|
assisted by:
|
|
|
Dave Mattacks
|
Drums
|
|
Recorded: |
1968
at Sound Techniques Studios, London |
|
Produced
by: |
Joe
Boyd for Witchseason Productions Ltd.
|
|
Sound
Engineer: |
Recorded
and mixed by John
Wood & Joe Boyd
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
UK
(white)
|
|
|
|
UK |
|
|
|
|
|
|
|
|
|
|
UK
(green)
|
UK |
|
US /
CAN / F / GER (red)
|
US /
CAN
|
|
|
|
|
|
|
|
|
|
|
NL
(black)
|
NL |
|
Greece |
|
|
|
|
|
|
| TRACKS: |
|
| SIDE
ONE: |
|
| El Wool Suite (Heron) |
8'28" |
| The Juggler's Song (Williamson) |
3'10" |
| Time (Williamson) |
3'57" |
| Bad Sadie Lee (Shankman) |
3'48" |
Queen Of Love (Williamson)
|
8'36" |
| SIDE
TWO: |
|
| Partial Belated Overture
(Heron) |
2'54" |
| Light In Time Of Darkness /
Glad To See You (Heron) |
10'18" |
| Walking Along With You
(Heron) |
3'58" |
Hirem Pawnitof
(Heron) / Fairies` Hornpipe
(Trad.)
|
6'18" |
Bridge
Theme (Heron)
|
2'15''
|
| SIDE
THREE: |
|
Bridge
Song (Heron)
|
8'47" |
| Astral Plane Theme
(Williamson) |
4'55" |
| Invocation (Williamson) |
4'48" |
| Robot Blues (Williamson) |
4'07" |
| Puppet Song (Williamson) |
6'15" |
| SIDE FOUR: |
|
| Cutting The Strings (Williamson) |
5'08" |
| I Know You (McKechnie) |
3'22" |
| Rainbow (Heron) |
15'39" |
|
|
Musicians |
|
Mike
Heron
|
Vocals,
Guitar, Sitar, Piano, Bass, Mandolin, Organ
|
|
Robin
Williamson
|
Vocals,
Guitar, 12 String Guitar, Shanai, Soondri, Fiddle, Flute, Mandolin,
Gimbri, Sarangi,
Bass, Piano, Clay Drums, Drums, Voice Sitar, Jew's Harp, Washboard
|
|
Licorice
|
Vocals, Guitar,
Drums, Spoons
|
|
Rose
|
Vocals,
Tabla, Guitar, Bass
|
|
with
|
|
|
Janet Shankman
|
Vocal, Harpsichord
|
|
Peter Grant
|
Banjo
|
|
Mal & Malcolm
|
Vocals
|
|
Recorded: |
1970
|
|
Produced
by: |
Joe
Boyd for Witchseason Productions
|
|
Sound
Engineer: |
John
Wood |
|
Front
Cover Painting:
|
Janet Shankman
|
|
Photos: |
Francis
Loney, Phil Franks, Jon Bloom
|
|
Art
Director: |
Robert
L. Heimall
|
|
Set
Designs:
|
Janet Shankman
|
|
Dances by:
|
Stone Monkey |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| TRACKS: |
|
|
|
| SIDE
ONE: |
|
| Come With Me (Williamson) |
3'51" |
| All Writ Down (Heron) |
4'24" |
| Veshangro (Williamson) |
5'03" |
See
All The People (Heron)
|
3'38''
|
Waiting
For You (Williamson)
|
6'42''
|
|
|
| SIDE
TWO: |
|
| The Song Has No Ending
(Heron/Williamson) |
26'41" |
|
|
Musicians |
|
Mike
Heron
|
Vocals,
Guitar, Organ, Harpsichord, Percussion, Glockenspiel, Chimes, Sitar,
Bass
|
|
Robin
Williamson
|
Vocals,
Guitar, Violin, Fiddle, Gimbri, Whistle, Bass, Bouzouki, Percussion,
Mandolin, Sarangi, Chinese Shawns, Finger Cymbals, Clashers, Claves,
Talking Drum
|
|
Rose
|
Vocals,
Bass, Recorder, Tabla
|
|
Licorice
|
Vocals, Organ,
Recorder, Mandolin, Shaker, Kazoo
|
|
with
|
|
|
Joe Boyd
|
Harmonium
|
|
Recorded: |
19
|
|
Produced
by: |
Joe
Boyd for Witchseason Productions Ltd.
|
|
Sound
Engineer: |
John
Wood
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| TRACKS: |
|
| SIDE
ONE: |
|
| Talking Of The End (Williamson) |
5'28" |
| Dear Old Battlefield
(Williamson) |
2'59" |
| Cosmic Boy (Lyrics:
McKechnie /
Music: Heron) |
4'27" |
| Worlds They Rise And Fall
(Heron) |
3'23" |
| Evolution Rag (Williamson) |
4'12" |
Painted Chariot (Heron)
|
3'39" |
| SIDE
TWO: |
|
| Adam And Eve
(Williamson) |
2'27" |
| Red Hair (Heron) |
2'02" |
| Here Till Here Is There
(Williamson) |
2'47" |
| Tree (Heron) |
2'57" |
Jigs: Eyes Like Leaves
(Williamson) / Sunday Is My
Wedding Day / Drops Of Whiskey / Grumbling Old Man (Trad.)
|
2'41" |
Darling Belle (Williamson)
|
10'53" |
|
|
Musicians |
|
Mike
Heron
|
Vocal,
Guitar, Sitar, Organ, Piano, Harmonium, Bass, Electric Piano, Flute
|
|
Robin
Williamson
|
Vocal,
Guitar, Oud, Violin, Fiddle, Banjo, Flute, Whistle, Cymbals, Rhythm
Guitar, Electric Guitar, Cello, Oboe, Mandolin, Kazoo, Bass,
Percussion, Bass Recorder
|
|
Licorice
|
Vocal, Organ, Harmonium, Small Hand Drums, Bass, Kazoo,
Clashers, Pipe Organ, Tambourine, Bironne, Autoharp, Spoons
|
|
Malcolm LeMaistre
|
Vocals, Harpsichord, Hand Drums, Kazoo, Whistle, Swanee
Whistle, Percussion, Mandolin, Bazouki, Clarinet, Glockenspiel,
Harmonica, Church Organ
|
|
with
|
|
|
Gerry Conway
|
Drums
|
|
Stan Lee
|
Bass, Pedal Steel
Guitar
|
|
Recorded: |
August
1971 at Island Studios and Sound Techniques Studios, London |
|
Produced
by: |
ISB
and Stan Schnier
|
|
Sound
Engineer: |
Roger
Mayer
|
|
Cover
Design: |
Janet
Shankman-Williamson |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
UK /
Spain / GER / NL
|
UK /
Spain / GER / NL
|
|
US |
US |
|
|
|
|
|
| TRACKS: |
|
|
|
| SIDE
ONE: |
|
| My Father Was A Lighthouse
Keeper (LeMaistre) |
4'25" |
| Antoine (Heron) |
3'54" |
| Restless Night (Williamson) |
3'31" |
| Sunday Song (McKechnie
/ Heron) |
7'25" |
|
|
| SIDE
TWO: |
|
| Black Jack David
(Heron) |
2'41" |
| Banks Of Sweet Italy
(Williamson) |
3'02" |
| The Actor (LeMaistre
/
Williamson) |
3'51" |
| Moon Hang Low (Williamson) |
3'20" |
Sailor And The Dancer
(LeMaistre)
|
2'36" |
Seagull (Heron)
|
6'03" |
|
|
Musicians |
|
Mike
Heron
|
Vocal,
Acoustic Guitar, Electric Guitar, Bass, Piano, Electric Piano, Church
Organ
|
|
Robin
Williamson
|
Vocal,
Guitar, Violin, Cello, Oboe, Flute, Mandolin, Hardanger Fiddle, Bass,
Viola, Electric Piano, Gimbri, Chinese Flute
|
|
Licorice
|
Vocal, Bass
|
|
Malcolm LeMaistre
|
Vocals, Acoustic Guitar, Whistle, Harmonium
|
|
with
|
|
|
Dave Mattacks
|
Drums
|
|
Brian Davidson
|
Drums
|
|
Stuart Gordon
|
Viola, Violin, Vocal
|
|
Stan Lee
|
Bass, High Hat,
Handclaps
|
|
Jack Ingram
|
Handclaps
|
|
Recorded: |
at
Island Studios and Sound Techniques Studios, London |
|
Produced
by: |
Mike
Heron, Robin Williamson
|
|
Sound
Engineer: |
Roger
Mayer
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
US
(gatefold)
|
|
|
UK /
GER / Spain (simple cover w. lyric inlet) |
|
|
|
|
|
|
|
|
|
|
|
| TRACKS: |
|
|
|
| SIDE
ONE: |
|
| Explorer (Heron) |
3'29" |
| Down Before Cathay (LeMaistre) |
4'17" |
| Saturday Maybe (Williamson) |
2'43" |
| Jigs (arr
Williamson) |
2'49" |
| Old Buccaneer (Williamson) |
3'23" |
At The Lighthouse Dance
(LeMaistre)
|
3'29" |
|
|
| SIDE
TWO: |
|
| Second Fiddle
(Duke Reid) |
2'42" |
| Circus Girl (Williamson) |
2'30" |
| Turquoise Blue (Heron) |
3'57" |
| My Blue Tears (Dolly
Parton) |
1'59" |
| Weather The Storm
(Williamson) |
3'02" |
Little Girl (Heron)
|
4'22" |
|
|
Musicians |
|
Mike
Heron
|
Vocals,
Guitar, 12 String Guitar, Bass, Organ
|
|
Robin
Williamson
|
Vocals,
Guitar, Oboe, Fiddle, Flute, Adapted Viola
|
|
Malcolm LeMaistre
|
Vocals, Guitar
|
|
Gerard Dott
|
Clarinet, Soprano Sax, Organ, Whistle, Piano, Bass Clarinet,
Vibraphone
|
|
with
|
|
|
B.J. Wilson
|
Drum
|
|
Janet Williamson
|
Flute
|
|
Susie Watson-Taylor
|
Flute
|
|
Stan Lee
|
Bass
|
|
Stan Schnier
|
Bass, Backing Vocals
|
|
Alan Eden
|
Drums
|
|
Jack Ingram
|
Guitar, Percussion, Backing Vocals
|
|
John Gilston
|
Drums
|
|
Greyhound
|
Rhythm Track
|
|
Recorded: |
January
1973 at Island Studios and Sound Techniques Studios, London |
|
Produced
by: |
Mike
Heron
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Sound
Engineer: |
Roger
Mayer
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UK /
GER / AUS
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| US |
US |
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US
promo
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| TRACKS: |
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| SIDE
ONE: |
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| Maker Of Islands (Heron) |
6'01" |
| Cold February Williamson) |
5'46" |
| Glancing Love (LeMaistre/Garson) |
4'00" |
| Dreams Of No Return (Williamson) |
5'20" |
| Dumb Kate (Heron) |
3'23" |
| SIDE
TWO: |
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| Ithkos (Heron) |
18'48" |
| - Sardis (Oud Tune) (Music:
Williamson) |
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- Lesbos-Dawn
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- Lesbos-Evening
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- Aegean Sea
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- Dreams
Fade
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- Port Of
Sybaris (Music: Forbes)
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- Go Down
Sybaris
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- Huntress
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- Hold My
Gaze
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Musicians |
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Mike
Heron
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Vocals,
Acoustic and Electric Guitar, Sitar, Organ, Piano, String Scores
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Robin
Williamson
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Vocals,
Acoustic Guitar, Oud, Mandolin, Electric Fiddle, Alto Flute, Flute,
Whistle, Congas
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Malcolm LeMaistre
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Vocals
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Graham Forbes
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Electric Guitar
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Jack Ingram |
Drums |
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Stan Lee |
Bass, Pedal Steel, Moog Programming, Backing Vocal
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with
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Danny Thompson
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Bass
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Recorded: |
December
1973 at Sound Techniques Studios, London |
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Produced
by: |
Mike
Heron
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Sound
Engineer: |
Roger
Mayer
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SAMPLER |
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| US /
GER |
US /
GER (double lp, gatefold) |
US /
GER |
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UK
(single lp)
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UK |
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UK |
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| Italy |
Australia
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| TRACKS: |
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| SIDE
ONE: |
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| Dreams Of No Return (Williamson) |
3'35" |
| Jane (Heron) |
3'50" |
| Oh Did I Love A Dream
(LeMaistre) |
4'00" |
| Black Jack David (Heron) |
5'35" |
| Little Girl (Heron) |
4'02" |
| SIDE
TWO: |
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| Rends Moi Demain
(Williamson) |
2'43" |
| 1968 (Heron) |
3'25" |
| Dear Old Battlefield
(Williamson) |
4'50" |
| Cold Days Of February
(Williamson) |
2'45" |
| Medley: Witches
Hat/Koeeoaddi There/A Very
Cellular Song (Williamson/Heron) |
2'42" |
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CD-Version:
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Dreams
Of No Return
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Jane
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Oh Did I Love A Dream
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Black
Jack Davy
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Rends-Moi Demain
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Little
Girl
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Sailor
And The Dancer (LeMaistre)
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1968
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Log
Cabin In The Sky (Heron)
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Dear
Old Battlefield
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Cold
Days Of February
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Medley:
Witches Hat / Koeeoaddi There / A Very Cellular Song
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These are the main
designs of the various covers, although beside these there are many
others with slight differences.
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to
Record Index
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